Cole Porter Review

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Cole Porter ReviewCole Porter (1891-1964) determinedly created the image of an extremely wealthy man who traveled the world, played with the rich and famous, and now and then wrote a Broadway show or two for the pure pleasure of it. But although he was in some respects a shallow man who lived largely for personal pleasure, he was also a very driven and complex one, a man whose fame on the stage did not come easily and who faced a series of horrific hurdles in his private life.
Porter risked his grandfather's ire--and the family fortune he controlled--by settling on a career in music, and while he earned early fame at Yale through his compositions, his first Broadway venture, See America First, was a humiliating fiasco. Homosexual in an era when it was flatly unacceptable, he would marry to retain respectability and forge a remarkable emotional (if completely platonic) relationship with wife Linda Lee Thomas--even while conducting a series of same-sex affairs that would prove frustratingly superficial. Near the height of his career, a horseback riding accident would leave him crippled and in physical agony for the rest of his life, and the pressures of pain and keeping up appearances would plunge him into fits of depression that seemed to border on the psychotic.
Biographer William McBrien is meticulous in his research and his recreation of Porter's very high society, and in other hands such a weight of knowledge might plunge a book into absolute impenetrability--but although McBrien sometimes errs by flooding the reader with inconsequential detail, by and large he keeps a fine balance on his very difficult subject, tracing the arc of Porter's life from Indiana to Yale to New York to Europe to Hollywood, tracing the arc of his career from the humiliating fiasco of Porter's first Broadway show "See America First" to the brilliance of such successes as "Anything Goes" and "Kiss Me Kate."
In the process McBrien not only seems to capture Porter, but an entire era as well--a world of sharp sophistication when terms like "star" and "toast of two continents" and "gentlemen" still had meaning, when the "have-nots" danced to the tempo of the "haves" and the wealthy went slumming for a thrill. Filled with numerous photographs and large chunks of Porter's memorable lyrics, this is one biography that truly does its subject justice.
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